The Desire/Divinity Project


What lives in the space between the longing for earthly love and the longing for divine love?

A project in three parts, fueled first by the singing body.  To sing can be an intimate expression of our inner world.  Riding on the wave of breath, singing is one way of merging our interior selves with the exterior world. To sing with this awareness is to be awake to life-force itself, and to touch what it means to be human. And to be human is to desire.

The Desire/Divinity Project is developed with support from The Ted and Mary Jo Shen Charitable Gift Fund, Judson Memorial Church, Heartbeat Opera, and the Lower Manhattan Cultural Council.

Part One: Song of Song of Songs


Conceived, Created and Composed by Marisa Michelson
Developed with and Directed by Ethan Heard

A musical piece in three  movements scored for twelve singers, bansuri flute, melodica, cello and percussion.

In between a live music video, an oratorio, an opera and a ritual, Song of Song of Songs explores the the relationship between the sensual and the sacred, the body and the spirit, through an exegesis of the Western world’s oldest erotic poem, Song of Songs. Featuring an empowered woman at its center it unfolds through 3 distinct musical “movements.” It’s scored for twelve singers, bansuri flute, melodica, cello and percussion (djembe, cajon, frame drum, talking drum, drum set).
Conceptually, the piece is a journey from the ancient to the contemporary, from the heteronormative to the queer, and from the personal to the cosmic. It takes place from one sunrise to the next.






Part Two: Sappho Fragments


Conceived and Composed by Marisa Michelson

Sappho’s poetry crackles with life: each word (as translated by Anne Carson) is a potent universe evoking layers of meaning, each phrase is a journey into a passionate pulsing heart, each poem shrinks the millennia, transcends time, and reveals the universality of a human soul that is like all of ours. 
Poetry, voice, breath, movement, woven together by Constellation Chor, to make audible and visible Sappho’s spirit.  


Performance history:

Upcoming – Judson Memorial Church, January 2018

Heartbeat Opera
Spring Collaboret, 2017
Baruch Performing Arts Center
Movement Direction
by Emma Crane Jaster
Featuring Marisa Michelson and Constellation Chor,

 

Part Three: The FarNearness


In development.

This piece will be performed by Michelson and performance artist Margot Bassett Silver


The Far-Near is a musical/ritual/interdisciplinary performance piece inspired by the lives and writings of Hildegard von Bingen and Heloise d’Argenteuil, (two powerful women who rose to positions of great influence as monastics in the 12th century), and Marguerite Porete (who lived and was burned at the stake as a heretic 100 years later).